Michigan Quarterly Review《密歇根季评》（季刊）. Michigan Quarterly Review is an interdisciplinary and international literary journal, combining distinctive voices in poetry, fiction, and nonfiction, as well as works in translation. Our work extends online as well, where we publish cultural commentary alongside reviews and interviews with writers, artists, and cultural figures around the world. The flagship literary journal of the University of Michigan, our magazine embraces creative urgency and cultural relevance, aiming to challenge conventions and address long-overdue conversations. As we continue to promote an expansive and inclusive vision, we seek work from established and emerging writers with diverse aesthetics and experiences.
MINNESOTA REVIEW《明尼苏达评论》（半年刊）。Publishing contemporary poetry and fiction as well as reviews, critical commentary, and interviews of leading intellectual figures, the minnesota review curates smart, accessible collections of progressive new work. This eclectic survey provides lively and sophisticated signposts to navigating current critical discourse. Under the leadership of editor Janell Watson, the review will maintain its tradition of exploring the most exciting literary and critical developments for both specialists and a general audience.
The Missouri Review《密苏里评论》（季刊）. The Missouri Review, founded in 1978, is one of the most highly regarded literary magazines in the United States. For the past four decades we’ve upheld a reputation for finding and publishing the very best writers first. We are based at the University of Missouri and publish four issues each year. Each issue contains approximately five new stories, three new poetry features, and two essays, all selected from unsolicited submissions sent by writers throughout the world. The Missouri Review maintains an “open submission” policy; we read year-round, sifting through approximately 12,000 submissions each year.
MOSAIC-AN INTERDISCIPLINARY CRITICAL JOURNAL《马赛克：一种跨学科的批评期刊》（季刊）。Founded in 1967, the year of Canadas centennial, Mosaic is an interdisciplinary journal devoted to publishing the very best critical work in literature and theory. The journal brings insights from a wide variety of disciplines to bear on literary texts, cultural climates, topical issues, divergent art forms and modes of creative activity. Mosaic combines rigorous scholarship with cutting-edge exploration of theory and literary criticism. It publishes contributions from scholars around the world and it distributes to 25 countries. In North America, Mosaic is read by subscribers in almost every state and province. It can be found in 226 of the worlds major university and college libraries.
NEUE RUNDSCHAU《新展望》（季刊）。Nach 1945 entfielen die Anlässe zu solchen Scharmützeln; die Neue Rundschau hielt ihre Stellung als eine der großen europäischen Kulturzeitschriften. Blättert man in ihren Jahrgängen, sieht man sich einer beeindruckenden Tradition gegenüber, die es fortzusetzen gilt. Zu ihr gehört die Verbindung zwischen Essays und Literatur, zwischen theoretischen Reflexionen und Stücken poetischer Praxis, zwischen den Wissenschaften und den Künsten. Die Neue Rundschau versteht sich als ein Ort intellektueller Debatten, literarischer Neuentdeckungen und Wiedererinnerungen.
New England Review-MIDDLEBURY SERIES《新英格兰评论 》（季刊）. Every issue of New England Review contains poetry and fiction in a variety of forms and styles—from the formally adventurous to the startlingly traditional—alongside a range of nonfiction, including personal essays, cultural revaluations, travelogues, and more. Plays and works in translation are also a regular part of our mix, and once a year we highlight writing from another part of the world in a portfolio of international writing. While each piece in the magazine can be read and appreciated on its own, the issue as a whole is assembled into a thoughtful order, with an eye to flow and thematic coherence or dissonance, creating a sum greater than its parts. Overall the New England Review gives readers a vital snapshot of the literary moment, four times a year, in its richness, complexity, and diversity.
New Orleans Review《新奥尔良评论》（半年刊）. A journal of contemporary literature and culture, New Orleans Review is a publication of the Department of English at Loyola University New Orleans, and is partially funded by the Kendall Michelle Daigle Memorial Endowment for English.
The North American Review《北美评论》（一年5期）. FOUNDED IN Boston in 1815, the North American Review is the oldest literary magazine in the US. Published at the University of Northern Iowa (Cedar Falls) since 1968, on six occasions during that period, it has been a finalist for the National Magazine Award (the magazine equivalent of the Pulitzer Prize), and it has twice won the top award in the Fiction category—in head-to-head competition with The New Yorker, Harper’s, The Atlantic Monthly, and so on. No other university-sponsored periodical has an equivalent record of achievement.Published five times each year, the NAR is well-known for its early discovery of young, talented fiction writers and poets. But it also publishes creative nonfiction, with emphasis on increasing concerns about environmental and ecological matters, multiculturalism, and exigent issues of gender and class.
SEWANEE REVIEW《塞沃尼评论》（季刊）。Founded in 1892 by the teacher and critic William Peterfield Trent, the Sewanee Review is America’s oldest continuously published literary quarterly. Many of the twentieth century’s great writers, including T. S. Eliot, William Faulkner, Eudora Welty, Wallace Stevens, Saul Bellow, Katherine Anne Porter, Marianne Moore, and Ezra Pound, have appeared in the magazine. SR also has a long tradition of cultivating emerging talent: we published excerpts of Cormac McCarthy and Flannery O’Connor’s first novels, and the early poetry of Robert Penn Warren, Sylvia Plath, Robert Lowell, and Christian Wiman
SHENANDOAH《谢南多亚》（半年刊）。Shenandoah was founded in 1950 by a group of Washington and Lee University faculty members and undergraduates, Tom Wolfe among them. For a brief time it was primarily an undergraduate magazine, but under the leadership of student editor Tom Carter, Shenandoah became a quarterly, publishing a cast of international writers including e e cummings, Dylan Thomas, W. H. Auden, James Merrill, Ezra Pound, William Faulkner, and Flannery O’Connor.