The Paris Review《巴黎评论》（季刊）.
PLOUGHSHARES《犁铧》（季刊）. Ploughshares, a journal of new writing, is guest-edited serially by prominent writers who explore different and personal visions, aesthetics, and literary circles. Ploughshares has published quality literature since 1971. Our award-winning literary journal is published four times a year; our lively literary blog publishes new writing daily.
Irish University Review《爱尔兰大学评论》（半年刊）. The Irish University Review is the leading journal in Irish literary criticism. It covers, on a global scale, all aspects of Irish literature in the English language.
Raritan-A Quarterly Review《拉里坦：评论季刊》（季刊）. Raritan—a journal of wide-ranging inquiry. In the tradition of independent magazines from the Spectator to Partisan Review, Raritan offers writers and readers the opportunity for sustained reflection and aesthetic pleasure, uncluttered by academic jargon. Founded in 1981 by the distinguished literary critic Richard Poirier, and supported by Rutgers University, Raritan aims to reach the common reader in everyone and to provide a particular experience of reading, one that nurtures an engaged and questioning approach to cultural texts of all sorts: literary, artistic, political, historical, sociological, even scientific.
Review-Literature and Arts of the Americas《拉丁美洲文学和艺术评论》（半年刊）. Founded in 1968, Review: Literature and Arts of the Americas is the major forum in the United States for contemporary Latin American and Caribbean writing in English and English translation; it also covers Canadian writing and the visual and performing arts in the Americas.Issues of the magazine focus on specific countries, regions, or on more abstract themes such as urban voices, women’s writing, or Latin American/Latino performing arts. Review has regularly included selections of poetry, fiction, and nonfiction; book reviews of newly translated titles; profiles of visual artists; and essays exploring currents in music and the performing arts.
INFINI《无限》（半年刊）. LInfini repose sur le pari suivant : cest quil y a, quil y aura, de plus en plus besoin dune revue littéraire au temps de lexplosion de linformation et des réseaux de communications multiples. Plus la diversification spectaculaire et publicitaire augmente, et plus le langage concentré, médité, de la littérature peut le traverser en acte. Plus les stéréotypes senchaînent, et plus le style même des interventions singulières, les corps, les voix, prennent, paradoxalement, la force de leur démesure. Lisez donc ces textes, là, choisis, dans une publication qui scintille tous les trois mois. Fictions ou essais, sérieux ou fantastiques, purs ou obscènes, ils prennent tout le système à revers, le trouent, le désarticulent. Ils définissent, sans avoir à saccorder sur un projet commun, une ponctuation radicale, une sorte de nerf hors la loi.
South Central Review《中南评论》（一年3期）. Now boasting more than a quarter century of publication, South Central Review publishes a stimulating mix of interdisciplinary scholarly articles, essays, interviews, and opinion pieces. Topics covered include literary criticism, film studies, philosophy and history, as well as current debates on important cultural and political topics. Contributors have included Tzvetan Todorov, Susan Suleiman, Michael Mewshaw, Andre Codrescu, Marjorie Perloff, Jeffrey Schnapp, and Yvegny Yevtushenko. South Central Review is the official journal of the South Central Modern Language Association (SCMLA).
SOUTH DAKOTA REVIEW《南达科塔评论》（季刊）。South Dakota Review is committed to cultural and aesthetic diversity. First and foremost, we seek to publish exciting and compelling work that reflects the full spectrum of the contemporary literary arts. Since its inception in 1963, South Dakota Review has maintained a tradition of supporting work by contemporary writers writing from or about the American West. We hope to retain this unique flavor through particularly welcoming works by American Indian writers, writers addressing the complexities and contradictions of the “New West”, and writers exploring themes of landscape, place, and/or eco-criticism in surprising and innovative ways. At the same time, we’d like to set these ideas and themes in dialogue with and within the context of larger global literary communities. South Dakota Review publishes fiction, poetry, essays (and mixed/hybrid-genre work), as well as literary reviews, interviews, and translations.
Landfall《登陆》（半年刊）. Landfall is New Zealands foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary.Each issue brims with a mix of vital new work by this countrys top new and more established writers, such as Vincent OSullivan, Catherine Chidgey, Breton Dukes, C.K. Stead, Albert Wendt, Cilla McQueen, Selina Tusitala Marsh and David Eggleton. It also features art portfolios in full colour and reviews of the latest New Zealand books.